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| My Self |
My Studio in NYC |
My Work |
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The Book: "On The Way" |
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MOVEMENT "You have to make the paintings in perpetual motion," he tells me looking at the building behind us. "Your canvases have to vibrate like this wall of ivy waving to the wind," Eugenio insists, holding my arms, squeezing my hands. New York, January 1993. We don't even feel the cold, staring at the north wall of the Metropolitan Museum ...
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